Documentary footage, Hollywood cinema and video games collide, overlap and submerge into each other in a Dadaist collage inspired by the poetry of Hungarian poet Mário Z. Nemes. The hypermedia nature of the present is emphasised by fragments that are free of a clear narrative backbone.

Suffering child abuse marks you, conditions you and limits you. But what's next? 7:11 Cuarzo is a documentary short film that delves into the consequences and shows us various ways of experiencing grief after suffering it: the aftermath, the path after breaking the silence and destroying the stigma. It talks about the treatment and care of wounds with testimonials from those who have suffered abuse and aggression. Learning to live again when the most precious thing, innocence, is taken from you.

晚上7点11分发生的事件改变了一个名为汉萨拉迪维（Hamsala Deevi）的小镇和一颗名为比邻星 - EV12（Proxima - EV12）的行星的命运。拉维（Ravi）穿越时间，进行超乎想象的旅行，以阻止一名犯罪策划者，拯救他的亲人和他心爱的小镇。

In an associative montage statues of saints in rigid and rapt poses are crosscut with those of real actors until the two can no longer be told apart. Gradually the real bodies break away from the constraints of their wooden models through increasingly improvised dance. A successful act of liberation from convention, which the material celebrates in an ecstasy of multiple exposures and psychedelic colors. – Maya McKechneay

《7-11之恋》改编自网路作家痞子蔡的同名作品。蔡某是个艺术工作者，平日作词作曲、写小说拍纪录片，昼伏夜出。每个早上睡前，他会到街角的7-11买罐牛奶配御饭团当早餐，生活平稳规律。 生活的变化，从不经意打破扑满开始。成堆的硬币自行玩起了配对游戏。每个早餐32元，2个10元、2个5元、2个1元，每天早晨的7-11之行，他可以游戏5个礼拜。 和蔡某分享着早餐秘密的，是7-11的店员小凤。他的规律成了她的习惯，2个10元、2个5元、2个1元，每个早晨的10：30，2个人若有似无的亲密。小凤刚结束一段感情，她的前男友小潘是个一无事处的小混混，他那快速致富的白日梦给自己带来牢狱之灾。在小潘蹲苦牢的日子，小凤离开了，她为自己在7-11找了工作，开始期待一个全新的开始。每天的生活是贩卖菸酒什货与电视偶像剧，蔡某的固定出现 ，让她平淡的日子有了可期待的事物。 红遍街头巷尾的‘雨衣’，讲述着对日本没多大好感的阿智，发现自己爱上了和他做语言交换的日本女孩-雨子。雨子说：在她的家乡，当男孩爱上女孩，他会请女孩和他共穿一件雨衣。阿智迷上了雨衣的传说，也迷上了这个雨天出生的女孩。在爱情成熟前，雨子就带着她的秘密回日本了，留给阿智一件雨衣和传说的下文： 当女孩答应了男孩的心意，她将回送男孩一件雨衣。 但依循着宿命回乡继承茶馆的雨子，已不知何时会再回南国。 几个月来，蔡某持续拍摄他的纪录片，关于一个艺妓的故事。她叫菊柳，有着对舞艺的热爱，她在心理系毕业后，全心投入作为艺妓的工作。在她厚重的脂粉下，在对艺妓工 作的终生承诺外，暗涌着绵密的情思。她回家乡的路上，蔡某一直送她到消失在视线之外；对卸了妆的自己不熟悉，对自己的爱情无法明言，她只能用眼神诉说一切。 此时，小潘找到了小凤的下落，又一次，小凤再陷入纷乱的关系中。她亟欲挣脱，留下了自己的电话给蔡某，然后不知去向。 阿智、小凤、雨子、菊柳，还有那些活在寂寞、错过爱情的男男女女，经过春雨的灌溉，他们期望着让心中的爱情萌芽，期望一切将会雨过天晴。

晚上7点11分发生的一场异变，永远改变了名为汉萨拉·迪维的小镇与行星Proxima-EV12的命运。立志成为印度警察局长的拉维，将穿越超乎想象的时空，为阻止犯罪天才、拯救挚爱与故乡而战。

Competently as usual and with a lot of visinary energy, Claudio Abbado conducted his LUCERNE FESTIVAL ORCHESTRA at the opening of LUCERNE FESTIVAL, SOMMER 2005. The programm included Beethoven's impressive Piano Concerto No. 3 in C minor, Op. 37, with Alfred Brendel as soloist and, as the very heart of the opening programme of SOMMER 2005, Anton Bruckner's Symphony No. 7.

一个雨天里，迷路的 DJ 想借用一下电话，成熟性感的女主人把他请进屋中，似乎女主人还有别的要求……

The sailor Calle Svensson gets a tip on a cheap hotel from a stranger, but Calle walks to the wrong house, and finds a dead man in the bed, stolen passports, and signs of trafficking in a cupboard.

The film is based on the diary of Arkus Gunārs Reninger about his experiences in Salaspils concentration camp in 1944, which are visually partially covered by archive materials and prisoners’ drawings, but mostly the viewer will see the specific location today. A documentary observation of a memorial nowadays, where children and adults come in groups and watch individually, with interest or get bored, emotionally react or indifferently distance themselves, sunk into phones, disconnected from the outside world… Film will tell about our time no less than Reninger’s notes about what happened in this place almost 80 years ago.